Audio Mixing Master Class
The Abbey Road reverb trick
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The Real NYC compression trick
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The secret to "punchy" drums
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Give your vocal an awesome airy sound
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Dr. Pepper 1176 setting
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Low-volume listening for a great mix balance
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The secret SSL buss compressor setting
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Using a short reverb for a massive sound
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Make your mixes hot and loud
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The Van Halen guitar sound trick
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Give your bass some low-end definition
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Make your vocal shine with a stereo delay
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Add some excitement to your boring pad tracks
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Make your programmed hi-hat come alive
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Get that old-school delay feedback
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Eliminate unwanted track noises like the pros
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Short reverb decay is your friend
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The 1176 British "nuke" setting
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The mono spring vocal surprise
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Put some "smack" in your snare
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"Space" for your keyboard tracks
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The secret to panning background vocals
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The “nail In the paddle” rock kick sound
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The Hank Marvin multihued delay trick
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Emphasizing the beat with a pumping rhythm guitar
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Simulating a tape delay
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Parallel compression for punch with dynamics
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How to get reverse reverb
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Tweak your track timing like the pros
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The biggest sound from the shortest delay
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The ultimate 80s guitar room sound
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Taming the picked bass
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The secret to gated drums
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The exploding snare trick
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The awesome double-effect trick
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The moving filter trick
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The terrific timed reverb trick
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Acoustic guitar peak limiter trick
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The Tommy Lee thunder drums trick
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The mono listening trick
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The pitchy vocal coveruo trick
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Tighten up releases
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The large and thick background vocal trick
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The legendary layered reverbs trick
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Bones Howe 1176 setting
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The big pad reverb trick
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Effective effects automation
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Eliminating clicks and pops
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EQing the mix buss
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The magic of mono reverb
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Adding presence with flanging
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Insanely big room sound
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EQ your vocal with multiband compression
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The Abbey Road double-track trick
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The secret Pultec bass setting
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Increase your background vocal energy
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EQing the perfect club kick
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Another exploding snare trick
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Perfect DI and mic'd bass phase
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Finding the Elton John piano sound
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Effecting the effects
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Panning outside the speakers
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The wisdom of dotted and triplet delays
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Increase your room mic presence
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The dbx 160 punchy drum setting
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Dual untimed vocal slaps
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Tuning the kick to the song
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De-essing the reverb
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Let's hear it for mid-side processing
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Dial in your low end with an RTA
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Add some air to that piano
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Lock the feel of the bass and kick
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Swept midrange guitar trick
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Hat pad trigger trick
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Big thump snare
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Single word delay
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Drum replacement
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Keyboard life
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Balance kick and bass
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Ducked reverb
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Autopanning
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Tame peaky acoustic guitar
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Snare ambience
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Pitchy vocal
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Snappy snare
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Super big reverb
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Spectral widening
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Clean overheads
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Argo vocals
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EMT short room
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Massive snare
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Compressed reverb
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Bass wide
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Vocal control
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Compressed guitars
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Snappy snare
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Dry vocals
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Bass trigger
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Hard snare
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Drum phase
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Floppy kick
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Rough mix
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Make your drums fills more dynamic
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The filter boost technique
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Add some sizzle to your snare
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That big wide guitar sound
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Hear every hat nuance
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Micropan for greater track separation
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Make those toms bombastic
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The power of the high-pass filter
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Add some ambience to your percussion
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Flat fader mixing
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Get control of your cymbals
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