Introduction
Welcome
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Using the Get in the Mix project files
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1. Compression and Dynamic Processing
Using compression to even out a vocal performance
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Using compression to add punch and sustain to drums
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Maximizing mix loudness with brick-wall limiters
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De-essing a vocal track
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Gating a drum track
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Using mix buss compression
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Working with parallel compression
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2. EQ and Filters
Using EQ to fix problems and place elements in the mix
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Creating complementary EQ curves
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Creative EQ with the telephone effect
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Frequency bracketing with filters
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Automating EQ
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EQing FX returns
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3. Delay and Modulation
Using long delay on key lyrics
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Establishing groove with long delays
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Creating slap-back echo with long delay
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Modulation rate and depth
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Modulation shape
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Chorus
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Double tracking
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Spreaders and thickeners
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Creating a comb filter and a flange effect
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Flanger and phaser effects
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Conclusion
What's next?
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Ex_Files_GITM_Logic.zip
(4.3 GB)