Getting Started
Welcome
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How to get the most from this course
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Using the exercise files
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1. Understanding Transcoded Workflows
Native vs. transcoded editing in Premiere Pro
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Codecs and formats for shooting
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Log
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Raw
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Codecs and formats for editing
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Limitations of native workflows
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Pros and cons of transcoded workflows
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Factors that go into choosing a workflow
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Doing a basic transcoded workflow
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2. Transcoding before You Edit
Using Prelude to transcode footage before you edit
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Understanding Adobe Media Encoder in the transcoding process
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Essential transcoding settings
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Creating a preset for transcoding
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Working with highly compressed sources
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Working with uncompressed sources
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Applying first-pass color correction with a LUT
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3. Transcoding While You Edit
Benefits and possibilities of transcoding while you edit
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Examining your sequence at full quality
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Sequence settings
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Subclip transcoding
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Exchanging managed sequence or media with other video professionals
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Render and replace
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4. Transcoding at the End of the Edit
Benefits and possibilities of transcoding at the end of your edit
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Adjusting pixels and frame sizes
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Implementing watched folders for output
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Archiving projects
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Ex_Files_PP_Guru_Transcoding.zip
(2.2 GB)