Introduction
About this training series
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The assurance
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Why is cinematography important?
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About our camera department
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1. Cinematography Basics
Understanding exposure
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Adjusting exposure with the aperture
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Adjusting the shutter speed
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Adjusting ISO
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Exposing for the subject
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Using a light meter
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Evaluating a histogram
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Choosing a frame rate
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Shooting slow motion footage
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2. Setting Up the Shot
The cinematography workflow
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Understanding shot sizes
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Using POV shots
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Understanding the line
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Crossing the line effectively
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Creating dimension
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Selecting the aspect ratio
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Leading the eye
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Cheating lights and talent
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3. Framing the Shot
The importance of framing
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Understanding the hierarchy of importance
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Utilizing thirds
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Centering the subject
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Using high and low angles
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4. Lighting in Theory
Mastering three point lighting
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Deciding light motivation
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Hard light vs. Soft light
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Selecting a light temperature
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Avoiding "sourcey" light
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Using different types of light fixtures
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Realism vs. Beauty
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Using cinematography apps
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5. Lighting in Practice
Mastering cinematic lighting
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Diffusing light
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Blocking and bouncing light
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Using scrims
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Working with natural light
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Shooting night scenes
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Making magic with fog
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Coloring light with gels
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Using common grip equipment
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Creating lens flares
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Preventing lens flares
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Practicing lighting etiquette
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6. Lighting People
Where should you place lights?
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Lighting from above
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Lighting from below
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Minimizing blemishes
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Making light flattering
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Using eye lights
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Making a silhouette
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Creating the film noir look
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Lighting dialog scenes
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7. Camera Basics
Which camera should you use?
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Building the camera
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Supporting the camera
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Achieving critical focus
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White balancing the camera
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Setting up video village
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8. Telling the Story with Lenses
Using lenses to tell a story
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Working with wide lenses
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Working with long lenses
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Creating a shallow depth of field
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Using premium optics
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Racking focus
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9. Moving the Camera
Tilting and panning the camera
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Moving the camera
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Using a slider
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Adding emotion with camera moves
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Adding visual interest with camera moves
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Directing virtual camera moves in post
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Shooting the opening title sequence
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10. Creating Cinematic Shots
Critiquing the shot
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Changing the background
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Adding depth and changing lenses
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Rethinking the lighting
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Changing the tone with gels
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11. Fixing Mistakes
Fixing the mistakes in the assurance
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What went wrong with the faceoff shot?
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Recreating the faceoff shot
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Flagging the light
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Bouncing light onto the background
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12. Working as DP
Responsibilities of the DP
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Knowing the script
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Scouting locations
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Getting coverage
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Gear: Renting vs. Buying
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Working with the crew
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Choosing the recording format
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Perfecting the shot vs. Fixing it in post
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Stealing shots
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Shooting visual effects
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Conclusion
Improving your DP skills
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Previewing the next course
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Final thoughts
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