Introduction
About this training series
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The Assurance
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Introduction to this course
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About the third-party plugins used
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Dealing with the exercise files
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1. The World of VFX
Understanding compositing
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An overview of creating computer-generated (CG) images
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Approximating believable realities
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Making things perfectly imperfect
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2. Creating a Great Key
Intro to keying: Keylight
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Intro to keying: Primatte
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Tips for pulling a great key
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Keying fine details
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Creating a luma key
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Keying impossible shots
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Getting perfect edges
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Painting the alpha channel
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3. Motion Tracking and Other Core Skills
Combining takes for the best performance
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Tracking in After Effects (AE)
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Tracking in Mocha
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Removing blemishes digitally
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Removing objects with After Effects, part 1
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Removing objects with After Effects, part 2
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Removing objects with Mocha Pro
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4. Creating CG Worlds
Making CG scenery
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An overview of VUE xStream
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Creating canyons in VUE xStream
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5. Creating the Aerial Shot
Creating a plan and shooting the footage
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Making the campfire elements
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Creating glowing embers
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Cleaning up the footage
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Combining the elements, part 1: Assembling
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Combining the elements, part 2: Compositing
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Making the smoke trail in Trapcode Particular
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Changing the time of day
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6. Creating the Helmet Shot
Why did we create this shot?
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Using normal maps on Golhatn's helmet
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Modeling the candlesticks
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Creating the melted candles
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Adding materials to the objects
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Lighting the scene
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Preparing the Cinema 4D file for AE compositing
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Creating flickering candlelight with Particular
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Adding depth of field in After Effects
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Enhancing the smoke in the scene
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Adjusting the mood by changing the color
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7. Rotoscoping Out Characters
Creating a strategy
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Finding or making a clean plate
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Rotoscoping out the characters
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Polishing the composite
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8. Creating the Finale Scene
Examining the plan for the scene
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Editing the VUE renders
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Creating matte paintings
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Art directing footage of clouds
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Understanding focal length and lens properties
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Compositing with smoke and fog
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Anatomy of shot 13
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Animating Golhatn in Cinema 4D and After Effects
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Animating subtle camera moves in post
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9. Shooting Visual Effects (VFX) Shots
Should you shoot VFX outdoors or indoors?
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Shooting an even green screen
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Using practical lights to supplement VFX
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Shooting with an awareness of post
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Using a VFX supervisor
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Conclusion
Getting better at visual effects
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Previewing the next course
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Final thoughts
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Ex_Files_Create_Short_Film_09_VFX_Pt1_Environments.zip
(1.3 GB)