Introduction
Welcome
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What you should know before watching this course
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Using the exercise files
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1. Defining Our Terms
What is a raw recording?
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What is a log recording?
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What is a flat recording and how does it differ from log and raw?
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2. Color Correcting Raw in DaVinci Resolve
Raw: Setting project-wide preferences
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Raw: Developing the digital negative
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Raw: Overriding project settings
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Basic concepts when color correcting raw recorded images
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3. Color Correcting Log and Flat Footage in DaVinci Resolve
Log controls
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Color correcting log manually: Approach 1
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Color correcting log manually: Approach 2
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Keeping an eye on sharpness
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4. Demystifying Lookup Tables (LUTs)
What's a LUT?
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Overview: Applying LUTs in DaVinci Resolve
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Applying LUTs in the Node Tree
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Using technical lookup tables
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Using creative lookup tables
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About on-set lookup tables
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Importing and managing LUTs
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Exporting LUTs
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5. Color Correcting Log, Raw, and Flat Footage with Lookup Tables
The three-node approach to color correcting with LUTs
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Preparing the image for a LUT
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Differences in color correcting before and after the LUT
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The three node approach in action
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The three node approach with flat recorded images
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Conclusion
Additional resources
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Ex_Files_Color_LOG_Raw_Flat.zip
(1.2 GB)