1. Weekly Tips
Why the Range tool should be your favorite and why to use it more
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It’s all about the color board
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5 things you should know about Motion 5
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The ultimate short guide to mastering speed effects
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3 things you should use Compressor for right now
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5 keyboard shortcuts you should know in FCPX
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Uploading videos to the web
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Setting up workspaces
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AE workflows
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Cool things about the Info panel
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5 tricks for dealing with the inventible stills montage
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Animation in a hurry: Have no fear, custom text is here
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The least you need to know about After Effects
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Video roles in FCP X
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Three Timeline tricks
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Split edits to elevate your storytelling
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Color Finale for traditional color correction
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Tricks for managing titles
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Perfect slow-mo with HFR
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The power of generators
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Portable proxies
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LUTs and you
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Free Apple sound libraries
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Getting more from the Ken Burns moves
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Storyboards
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Three things about 3D text
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Playhead and skimmer management
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360VR in Final Cut Pro, part 1
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360VR in Final Cut Pro, part 2
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Keyframing best secret: Solo animation
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3D text in Motion
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Smart collections
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Transitions
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Frame.io
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RED workflow
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Timelapses, part 1
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Timelapses, part 2
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Setting up a stronger Color Workspace
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Shortcuts for faster color correction in FCPX 10.4
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The Power of Overshoot
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Better LUT Workflows
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Eyedroppers in Curves
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Clip Filtering in the Browser
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Animation Headache Avoided
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SpeedScriber
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A Solution for Charts
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Speeding Up Basic Transforms
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Common Transform Libraries
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Viewing Smarter in the Browser
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TImeline Display Options
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10 keys we wished more FCP X editors used: Part 1
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10 keys we wished more FCP X editors used: Part 2
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3 things to know for working with 360 in FCP X
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360° Patch
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Finishing the job: Archiving best practices
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Using auditions with color correction
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Using a color chart
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Using Motion color looks in FCP X
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Using the Finder for easy organization
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Flow transition: Hiding jump cuts
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Using Palette Gear with FCP X
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The ultimate reframe: 360 in everyday projects
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Snapshots: Better than duplicates
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Closed captions
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Which ProRes is right for you?
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FCP X in the real world: A sit-down with Kelsey Wilson from the Toronto Star
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Dual displays: Maximize your layouts
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Creating custom clip names in FCP X
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Creating a channel blur in Motion for FCP X
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Tweaking flesh tones
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Text design tips for video editors
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Saving useful effect presets in FCP X
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Audio compression
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Creating great lens flares with mFlare 2
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Voice EQ: Making everyone sound better
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Smarter effects workflows
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The edits not taken
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MacBook Pro: 2014 vs. 2018
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Using cameras and formats
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OS X Finder search secret
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USB-C, T3, and you
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Nodes 2: Incredible motion graphics right inside of FCPX
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Three things to know about taking the dive into FCPX
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CommandPost
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Three great OS X utilities
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Build a custom Final Cut Pro custom template in five steps
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Three hidden compressor tweaks
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Make safe OS X media copies
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Don't hit the panic button: Troubleshooting Final Cut Pro X problems, part 1
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Working with 4K in HD production
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Workflow extensions with Shutterstock
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Don't detach the audio
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Four tips for keying the green out of your screen
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Upgrading safer
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Understanding disk speed
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 1
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Automatic color
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Color matching
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External GPUs
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 2
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Pair kerning: The secret to professional-looking titles
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Pro Res raw
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Incompatible media for future OS updates
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The future isn't just horizontal
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Audio limiter
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Easing animations
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Three free effects
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Making keyword collections work for you
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Square video
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Video noise reduction
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Hard limiter
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Exploring 3D type options and reflections
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Preparing titles for vertical and square formats
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Odd-sized assets and Spatial Conform
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Stencil and Silhouette
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Working with 180-degree video in Final Cut Pro X
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Two workflow tips for 5.7K footage
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Faking room tone
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Free still and video content sites
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FCPX system performance
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Proxy files for collaborative workflows
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EditReady
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