Introduction
Welcome
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What you should know before taking the course
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Using the exercise files
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1. Minimizing Mistakes
Checking for gaps and flash frames
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Using dupe detection
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Replacing temp or stock shots
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Checking for blanking and correct aspect ratios
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Smoothing speed changes
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Checking transitions
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Lens correction
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Stabilization
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2. Color Correction
Improving render quality with sequence settings
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Using video scopes to analyze brightness and contrast
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Using video scopes to analyze color
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Additional scope options with ScopeBox
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Fixing common contrast problems
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Fixing common color problems
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Raw and log formats
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Adjustment layers for color correction
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Tracking color corrections
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Using Lumetri effect presets
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The Direct Link workflow with SpeedGrade
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Developing a look in SpeedGrade to use in Premiere Pro
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Noise reduction with SpeedGrade and After Effects
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Noise reduction with Neat Video
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3. Video Legalization
What does "broadcast legal" mean?
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Legalization with the Video Limiter effect
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Adjustment layers for legalization
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Legalizing in SpeedGrade
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4. Working with Graphics and Images
Keeping photos "raw" for color correction
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Updating layered Photoshop files
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Interpreting alpha channels
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Avoiding network bug and title violations
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5. Handing Off Files for Others
The advantage of working with specialists
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Consolidating a timeline
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Creating a reference movie with the timecode burned in
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Exporting interchange files (XML, AAF, EDL)
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Using the Project Manager to gather assets
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6. Receiving Files from Other Finishing Artists
Four steps to assembling a project
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Importing XML files
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Importing finished assets
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7. Creating a Digital Master
Checking the clock and building a countdown slate
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Checking sequence settings before export
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Exporting a master file and other deliverables
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Conclusion
Additional resources
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Goodbye
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Ex_Files_PPG_VideoFinishing.zip
(3.5 GB)