Introduction
Welcome to this One-on-One course
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Previously on Illustrator One-on-One
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31. Shortcuts and Customization
Becoming a lean, mean illustration machine
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Installing custom dekeKeys shortcuts
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Loading and using dekeKeys
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Welcome to the dekeKeys PDF docs
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Three out of the hundred custom shortcuts
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Still more time-saving shortcuts
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Creating your own custom shortcuts
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Tool, transparency, and panel shortcuts
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Creating your own custom Toolbox
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32. Blend Modes and Opacity Masks
The many ways to blend colors
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Adjusting the opacity with shortcuts
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Blending modes: Multiply and Screen
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The other modes: Overlay thru Luminosity
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My dekeKeys blend mode shortcuts
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The effect of color space on blending modes
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A few advanced blending mode tricks
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Applying blending modes in the Appearance panel
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Creating auto-inverting type
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Carving dynamic holes with Knockout Group
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Knockout Group option and dynamic attributes
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Using the Isolate Blending option
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Introducing the opacity mask
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Putting an opacity mask into use
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Applying blending modes to entire layers
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Adding Photoshop pixels to an opacity mask
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Finishing up the tattooed face
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Exporting transparency to Photoshop
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33. The Brushes Panel
Painting with path outlines
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Introducing the Brushes panel
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Applying and editing a calligraphic brush
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Scaling and colorizing art brushes
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Applying and customizing scatter brushes
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Formatting and editing brushed type
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Designing your own custom art brushes
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Creating and testing your art brushes
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Refining a brush to fit ends and corners
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Expanding, filling, and stroking a brush
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Type On A Path tool vs. text as an art brush
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Distorting art type with the Width tool
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Infusing your artwork with a pattern
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Painting with bristle brushes
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34. Seamlessly Repeating Patterns
Patterns let you be free
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Creating a pattern
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Introducing the Pattern Editing mode
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Saving a copy and undoing a big mistake
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The better way to duplicate a pattern
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Moving a pattern inside its container
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The three tile types: Grid, brick, and hex
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Using the Pattern Tile tool
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Designing a real-world tessellation
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Measuring the exact size of a hex tile
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Creating complementary pattern elements
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Adding representational pattern elements
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Drawing a triangular cartoon eye
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Further developing pattern elements
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Creating a pattern with a keyboard shortcut
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Constructing a seamless denim pattern
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Making your denim pattern look like denim
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Creating a pattern brush with auto corners
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Creating custom start and end tiles
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35. Gradient Mesh
Photorealistic painting at its best
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Introduction to gradient meshes
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Using the dedicated Mesh tool
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Creating a basic gradient mesh
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Isolating a mesh object
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Deleting unwanted, invisible mesh points
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Releasing a gradient mesh
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Converting mesh points from cusp to smooth
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Sharpening or smoothing color transitions
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Assigning a mesh to a bendy shape
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Converting a linear gradient to a mesh
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Converting a radial gradient to a mesh
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Painting soft objects with a gradient mesh
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Combining a mesh with a compound path
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Expressing surface contours with a mesh
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Painting contoured highlights
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Blending multiple mesh objects
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Using gradient meshes to cast shadows
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36. The Puppet Warp Tool
Why redraw when you can reposition?
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Introduction to the Puppet Warp tool
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Setting your own custom pins
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Hiding pins, path edges, and the mesh
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Warning: All changes are final
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Disabling content-aware pins
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Constraining and twisting pins
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Using the Expand Mesh value
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Using Puppet Warp for small, complex objects
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37. Charts and Pictographs
The pleasures and pitfalls of graphs
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Graphing numerical data
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Importing a tab-limited spreadsheet
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Modifying data to create a category axis
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Reformatting text and numerical values
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Adjusting the graph type settings
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Creating and applying a graph design
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Setting the column type to repeating
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Recreating a graph at the proper size
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Customizing your legend
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38. Logos and Specialty Text
Illustrator’s logo-making features
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Making a logo from one character of type
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Creating a logo of interwoven rings
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Weaving your rings into a larger ring
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Whittling your paths with the Scissors tool
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Gradient type and dynamic strokes
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Using the Touch Type tool
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Two ways to warp type
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Creating letter-shaped gradients
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Painting reflections onto letterforms
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Multicolor fonts: Trajan Color Concept
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Using stylistic sets
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39. Applying 3D Effects
The five advantages to 3D in Illustrator
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Introduction to the three kinds of 3D in Illustrator
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Working in 3D space: Pitch, yaw, and roll
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Lighting and shading a 3D object
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Beveling the edges of a 3D extrusion
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Creating live, editable 3D type
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Adding cast shadows to 3D type
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Understanding the 3D Revolve effect
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Using 3D Revolve to create a soda can
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Mapping a logo or other art onto a 3D object
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Enhancing 3D artwork with faux 3D effects
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Combining a stroke with 3D Revolve
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Conclusion
Until next time
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