هفته نامه مدرسه ضبط واقعی

مدرس Larry Crane

انتشار 2017/11/06

به‌روز‌رسانی 2020/09/14

مدت زمان 7h 47m

سطح متوسط

فایل تمرینی ندارد

آموزش Real Recording School Weekly

به مجموعه هفتگی مدرسه ضبط واقعی خوش آمدید. هر هفته، لری کرین گروهی از علاقه مندان به صدا، مهندسان و تولیدکنندگان را از طریق یک چالش جدید ضبط یا میکس رهبری می کند. بیاموزید که چگونه مشکلات دائمی صدا مانند بیس کلیکی، زنگ درام، گیتارهای بومی، و هی-هت بلید را تشخیص داده و برطرف کنید، به طوری که موسیقی تنها چیزی باشد که شنوندگان می‌شنوند. این دوره دارای نرم افزار و افزونه هایی مانند iZotope و Pro Tools است، اما تقریباً تمام تکنیک ها را می توان در DAW مورد علاقه شما بازسازی کرد. تنها چیزی که باید دنبال کنید یک جفت هدفون و اشتیاق به صدا است. توجه: از آنجایی که این سریال در حال انجام است، بینندگان گواهی پایان کار را دریافت نخواهند کرد.

Audio Post Production Pro Tools

Introduction

Welcome to Real Recording School Weekly ()

1. Real Recording School Weekly

Fixing clicky electric bass ()

Finding kick drum articulation ()

Identifying bad drum edits ()

How small rooms affect drums ()

Dealing with snare drum ring ()

Taming hi-hat bleed ()

Stopping hollow kick drum sounds ()

Taming boomy acoustic guitars ()

Fixing boomy upright bass ()

Mid/Side or XY drum mics? ()

Problems with multiple mics on guitar amps ()

Too much room sound on the vocals ()

Vocals with proximity problems ()

Vocals with close reflections ()

Snare compression ()

Clicky upright bass ()

Identifying bad vocal edits ()

Different overhead drum mics ()

EQing overhead drum mics ()

Drum room ribbon mic angle ()

Connect the vocal notes ()

Bass in higher registers ()

Adjusting bass definition ()

Drum overheads or front-of-kit mics? ()

How to end vocal phrases ()

Listening to different snare mics ()

Drum bleed on toms with different mics ()

Damping snare by hand during tracking ()

How to support long vocal notes ()

Two bass amp mics to audition ()

Damping drum ambience or not? ()

Roving microphones on drums ()

Stereo vs. mono drum overhead mics ()

Cardioid or omni mono drum overhead mics ()

Blumlein vs. X/Y drum room sounds ()

Quick tip on recording snare drum ()

Drum overhead compression ()

Omni or cardioid drum room mics? ()

Do different kick drum sizes matter? ()

One electric guitar tracked stereo ()

Tracking one guitar with two amps: Splitting signal ()

Tracking one guitar with two amps: Ground hum ()

Tracking one guitar with two amps: Polarity ()

Creating snare gate with compression ()

How to locate vocal plosives ()

When to set delays off tempo ()

Duck echo effects with compression ()

Automate EQ on fake strings ()

Sum to mono your low end ()

Turning any sound into sonic wash ()

Drum room mics as overheads ()

Adding spring reverb to guitar parts ()

Bass sidechained from kick drum ()

Kick drum sidechained from bass ()

Unique way to boost drum overhead mics ()

Creating sonic wash with modulation ()

Cymbal ambience and drum editing ()

Distortion pedals and bass DI ()

Drum high end in the mix ()

Kick drum low end in the mix ()

Dark bass amp with bright DI box ()

Parallel track drum edit trick ()

Bass amp and mic distance ()

Mixing with single handclaps ()

Reamping vocals with travel speaker ()

Reamping instruments with travel speaker ()

Changing vocal sounds with real tape ()

Changing instrument sounds with real tape ()

Reamping vocals through headphones ()

Reamping instruments through headphones ()

Reverse vocal polarity while singing ()

Ribbon or dynamic mic on bass amp ()

Separate rhythm and solo guitar for mixing ()

Mixing mono electric guitar in stereo ()

Parallel gated snare drum ()

Short delays on snare drums ()

Using Auto-Key to find a song's pitch ()

Fixing fades on an entire mix ()

Do not Auto-Tune your vocal doubles ()

Let artists control their headphone mix ()

Boosting snare hit pickup ()

Parallel vocal compression ()

Parallel vocal compression with low EQ ()

Parallel vocal compression with midrange EQ ()

Pro audio rack gear as stompboxes ()

When DI electric guitar tracks work ()

Stereo track or mono ()

Mid-side mics on acoustic guitar ()

Cardioid and figure 8 mics on acoustic guitar ()

Using a listen-back mic ()

Vocal breath edit fade tip ()

Use delay to fix percussion ()

Kick drum and bass guitar bus mix glue ()

Recording one-person handclaps ()

Speaker mic on kick drums ()

Checking mixes: Left minus right ()

Checking mixes: Mono ()

Using the console as a keyboard ()

Moving mics while reamping ()

Moving speakers while reamping ()

Real doppler drum effects ()

Moving mics around speaker reamping ()

Creating wider sounds through reamping ()

Reamping via tweeters only ()

Reamping via woofers only ()

Room reamping for echo returns ()

Reamping the whole mix for fade-out ()

Using input sheets ()

Mic’ing electric guitar for pick sound ()

EQ stereo sends to plate reverb ()

Delay before plate reverb ()

Mic’ing electric bass for pick sound ()

Using a speaker mic on bass amps ()

Tambourines all sound different ()

Monitoring on different speakers ()

Doubling guitar octaves ()

Panning vibraslap by hand ()

Percussion in stereo ()

Keeping your talkback on track ()

Foam windscreens affect sound ()

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